Titlebook: Critical Ethics; Text, Theory and Res Dominic Rainsford (Lecturer in English),Tim Woods Book 1999 Palgrave Macmillan, a division of Macmil

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Wassermilben aus der Schwechat (Wienerwald),, does the end of history imply that a long-awaited ‘happy ending’ of history has arrived? Or does it imply that some process of struggle, development, or evolution has concluded? Furthermore, in thinking about temporality, how far can an ‘other’ time be detected within history? To what degree is hu

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https://doi.org/10.1007/978-3-662-24716-7ment to do this as they do offer some view of how a human being should live. The main problem, as I suggest below, is that they tend to place an almost exclusive emphasis on the obligation to respect the ‘difference’ or ‘alterity’ of others, which produces a skewed, one-sided and ultimately attenuat

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,Die Beratung mit den Verkäufern, to speak convincingly in a female voice. But the real issue, Harvey insists, ‘is not epistemological at all, but ethical and political. It is not whether male poets . adequately represent the female voice, but the ethics and politics of doing so.’. The ethics and politics of the voice are often pre

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Imagining the Centreemporary pertinence, debarred from a future? If so, one such text might be Kant’s brief essay, ‘An Answer to the Question: “What is Enlightenment?”’. Its main claim, that people should think for themselves rather than simply accepting the doctrines they inherit and inhabit, seems so obvious today th

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The Original Traumatism: Levinas and Psychoanalysisry.’ But what does ‘ethics’ mean here? What conception of ethics, if any, is implied in this book’s title and in the specific linking of ethics to literature? Are we writing about the relative merits of deontological, consequentialist, or virtue-based approaches to ethical theory insofar as they can

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Spectres of History: Ethics and Postmodern Fictions of Temporalityexamples is Francis Fukuyama’s . (1992). Based on a refraction of Alexander Kojève’s Hegelianism, this book initiated a variety of fierce critiques and arguments about what constitutes history and its direction in the postmodern world. Indeed, arguably the invocation of the ‘end of history’ is a pos