Titlebook: Critical Distance in Documentary Media; Gerda Cammaer,Blake Fitzpatrick,Bruno Lessard Book 2018 The Editor(s) (if applicable) and The Auth

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Book 2018nges of our age. As social media, augmented reality, and interactive technologies play an increasing role in the documentary landscape, new theorizations are needed to account for how such media both represents recent political, socio-historical, environmental, and representational shifts, and chall

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dia, sound art, installation, and photography, among other nThis collection of essays presents new formulations of ideas and practices within documentary media that respond critically to the multifaceted challenges of our age. As social media, augmented reality, and interactive technologies play an

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,Der germanisch-slavische Wirtschaftskörper, demonstrate how night photography offers a unique critical perspective on some of the most pressing problems of our age, and how these artists distance themselves from the predominantly diurnal register of documentary media.

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,Der romanische Wirtschaftskörper, a greater level of sustainable critique. This complex and problematic terrain is analyzed in response to ., an exhibition I curated on the subject in 2016, and suggests archival possibilities beyond formal academic, artistic, and museological conventions.

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