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Titlebook: Critical Distance in Documentary Media; Gerda Cammaer,Blake Fitzpatrick,Bruno Lessard Book 2018 The Editor(s) (if applicable) and The Auth

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书目名称Critical Distance in Documentary Media
编辑Gerda Cammaer,Blake Fitzpatrick,Bruno Lessard
视频video
概述Offers new theoretical perspectives within the field of documentary studies.Expands the field of documentary studies and addresses mobile media, sound art, installation, and photography, among other n
图书封面Titlebook: Critical Distance in Documentary Media;  Gerda Cammaer,Blake Fitzpatrick,Bruno Lessard Book 2018 The Editor(s) (if applicable) and The Auth
描述This collection of essays presents new formulations of ideas and practices within documentary media that respond critically to the multifaceted challenges of our age. As social media, augmented reality, and interactive technologies play an increasing role in the documentary landscape, new theorizations are needed to account for how such media both represents recent political, socio-historical, environmental, and representational shifts, and challenges the predominant approaches by promoting new critical sensibilities. The contributions to this volume approach the idea of “critical distance” in a documentary context and in subjects as diverse as documentary exhibitions, night photography, drone imagery, installation art, mobile media, nonhuman creative practices, sound art and interactive technologies. It is essential reading for scholars, practitioners and students working in fields such as documentary studies, film studies, cultural studies, contemporary art history and digital mediastudies..
出版日期Book 2018
关键词film; photography; non-fiction; image; interactive media; social media
版次1
doihttps://doi.org/10.1007/978-3-319-96767-7
isbn_softcover978-3-030-07247-6
isbn_ebook978-3-319-96767-7
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
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978-3-030-07247-6The Editor(s) (if applicable) and The Author(s) 2018
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,Der romanische Wirtschaftskörper,nstrate a desire to fully merge with society through sustained engagement with migrant worker communities, . to create a critical distance between art and society. Two such different notions of the relationship between art and society are demonstrated through two conflicting uses of the concept of s
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,Der romanische Wirtschaftskörper,ecifically performance, “become itself through disappearance,” which draws empathy with Walter Benjamin’s notion of the “aura of the original.” In practice, this a less than pragmatic account of the reality of experiencing such artworks, for how can they exist beyond the moment of making if not r
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