Titlebook: Crime, Fear and the Law in True Crime Stories; Anita Biressi Book 2001 Anita Biressi 2001 America.bibliography.body.corpus.crime.evolution

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,Forschungsdesign und Durchführung,tion of being human. The appeal of true crime books has been informed by reflexive questions: ‘Do I have the potential for this evil in me too?’ Or, are we all murderers ‘under the skin?’ (Pitman 1961: 50). As seen in the previous chapter, the appeal of even the most ephemeral journalistic accounts

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,Einführung in das Forschungsvorhaben,hat has witnessed an ‘accelerating return to the standards of barbarism’. He identifies a strong feeling of insecurity and disorientation which, in the two ‘crisis decades’ from 1973 onwards, has manifested itself in acts of multiple murder. Drawing on a New York Times report he comments:

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,Forschungsdesign und Durchführung,ccess. It has analysed how various non-fiction accounts of crime and punishment, law and order programming, quasi-government initiatives, popular journalism, true crime books and magazines — speak about and interrogate issues of criminality and victimhood in the contemporary moment. It has argued th

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https://doi.org/10.1007/978-3-658-18671-5d viewers. The argument is that true crime exhibits in popular form an extension or amplification of the political discourses that have come to dominate the political landscape since the late 1970s. This chapter documents and analyses these discourses in order to set the scene upon which the drama of true crime is played out.

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,Einführung in das Forschungsvorhaben,hat has witnessed an ‘accelerating return to the standards of barbarism’. He identifies a strong feeling of insecurity and disorientation which, in the two ‘crisis decades’ from 1973 onwards, has manifested itself in acts of multiple murder. Drawing on a New York Times report he comments:

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