找回密码
 To register

QQ登录

只需一步,快速开始

扫一扫,访问微社区

Titlebook: Creativity And Constraint In The British Film Industry; Duncan J. Petrie Book 1991 Palgrave Macmillan, a division of Macmillan Publishers

[复制链接]
楼主: architect
发表于 2025-3-25 06:37:55 | 显示全部楼层
发表于 2025-3-25 10:20:37 | 显示全部楼层
发表于 2025-3-25 12:43:18 | 显示全部楼层
Wirkungen und Wirksamkeit von Nootropikainterpersonal relationships within the process of film-making itself. As I indicated in Chapter 1, Coates asserts the existence of a necessary conflict between a film director’s individuality on one hand and ‘opposing material’, including key collaborators, on the other.. Film-makers require this co
发表于 2025-3-25 19:47:06 | 显示全部楼层
U. Schmidt,D. Brendemühl,N. Schenkhat Williams’s conception of creativity, with its stress on communication, description and interpretation, constituted a more appropriate model, with regard to current British film-making than Adorno’s Modernist perspective, with its emphasis on confrontation, disruption and dissonance. Communicatio
发表于 2025-3-25 20:28:18 | 显示全部楼层
Overview: 978-1-349-21473-0
发表于 2025-3-26 01:26:05 | 显示全部楼层
https://doi.org/10.1007/978-1-349-21473-0constraint; creativity; film; industry
发表于 2025-3-26 06:51:39 | 显示全部楼层
发表于 2025-3-26 12:25:47 | 显示全部楼层
http://image.papertrans.cn/c/image/239556.jpg
发表于 2025-3-26 15:11:49 | 显示全部楼层
发表于 2025-3-26 16:49:55 | 显示全部楼层
A. Engferfilm-maker becomes merely one element. The original conception of conscious creativity has been gradually shed along the way — firstly in terms of a shift towards the notion of authorship as an unconscious structure, and subsequently, of a general valorisation of the spectator at the expense of the film-maker/author.
 关于派博传思  派博传思旗下网站  友情链接
派博传思介绍 公司地理位置 论文服务流程 影响因子官网 吾爱论文网 大讲堂 北京大学 Oxford Uni. Harvard Uni.
发展历史沿革 期刊点评 投稿经验总结 SCIENCEGARD IMPACTFACTOR 派博系数 清华大学 Yale Uni. Stanford Uni.
QQ|Archiver|手机版|小黑屋| 派博传思国际 ( 京公网安备110108008328) GMT+8, 2025-8-14 20:16
Copyright © 2001-2015 派博传思   京公网安备110108008328 版权所有 All rights reserved
快速回复 返回顶部 返回列表