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Titlebook: Creative Writing; Julia Casterton Textbook 1998Latest edition Macmillan Publishers Limited 1998 creative writing.edition.energy.experience

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W. Bleifeld,C. Nienaber,M. SchlüterSo far we have concentrated on taking control of feelings of humour or fright so you can represent them in a way which will evoke strong feelings in your readers. Now we need to explore how to sustain the states of mind you call up.
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,Probleme der Forschung in der Pädiatrie, thoughts about love and play can easily be seen as a way of thinking about writing, too. We give ourselves completely to it, we play to lose, we lose ourselves, we use ourselves and our time in our ardour to write, we ache sometimes when some other duty prevents us from performing this primary duty to ourselves:
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Hold the Tension, Hold the Energy,So far we have concentrated on taking control of feelings of humour or fright so you can represent them in a way which will evoke strong feelings in your readers. Now we need to explore how to sustain the states of mind you call up.
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Writing Poetry, is the writing form that is nearest to music, and nearest to dance. Lyric poems were originally sung to the lyre by Sappho and her young women on Lesbos, and it was on the shores of Lesbos that the lyre of Orpheus was washed up after Orpheus himself had been ripped to pieces by the Bacchae, the wild women who followed Dionysus, God of Wine.
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Writing for Yourself Alone,We use writing for many things, not just for publication or to communicate with a wider public. Sometimes we write to make a problem clearer in our minds, to work out what we should do. Sometimes we write in order to save ourselves, to shore up some solid written thing in what might seem to be an ocean of chaos.
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Making a Short Story,at omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises. If you mixed all your pieces of writing together, would they make a story? Or does a short story need something else, and if so what is it?
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