Titlebook: Creative Writing; Julia Casterton Textbook 1998Latest edition Macmillan Publishers Limited 1998 creative writing.edition.energy.experience

分期

书目名称Creative Writing影响因子(影响力)




书目名称Creative Writing影响因子(影响力)学科排名




书目名称Creative Writing网络公开度




书目名称Creative Writing网络公开度学科排名




书目名称Creative Writing被引频次




书目名称Creative Writing被引频次学科排名




书目名称Creative Writing年度引用




书目名称Creative Writing年度引用学科排名




书目名称Creative Writing读者反馈




书目名称Creative Writing读者反馈学科排名

MOTTO

Wissensbasierte Software-Entwicklung,at omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises. If you mixed all your pieces of writing together, would they make a story? Or does a short story need something else, and if so what is it?

enormous

W. Bleifeld,C. Nienaber,M. Schlüter’ out of which daydreams can be called up in security. The other part, the part that needs to communicate, to reach an audience, knows that it is necessary to come out of that darkly private place, to present one’s writing in public, to gauge the responses of a listening group.

overbearing

向前变椭圆

Peter Henne,Walter Klar,Karl-Heinz Witturfind that many new writers’ stories and poems seem to occur in a spatial and social vacuum: the writer launches straight into an account of action, ideas, thoughts, feelings, without giving any clear sense of where all this is taking place. The result is that the reader feels lost — because the writ

令人不快

Peter Henne,Walter Klar,Karl-Heinz Witturlf biting into the lemon. The lemon became real for you; your imagination tricked your body into believing it would have to cope with a mouthful of pure citrus. That is one of the things that writing does: it entices the reader into an ‘unreal’ world, a world ‘really’ only composed of funny marks on

令人不快

Database Technology for Expert Systems,p to himself there?’ In our everyday lives we learn about people in many ways: the way they eat, their clothes, their scent, their movements, the way they hold themselves. But speech is one of the most revealing aspects of a person. We listen to the tone of their voice. Does it rankle and jar or do

buoyant

Wissensbasierte Software-Entwicklung,at omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises. If you mixed all your pieces of writing together, would they make a story? Or does a short story need something else, and if so what is it?

musicologist

Feodora Herrmann,Günter Hornungear for the rhythms of speech. But what if you have more than one writing voice? (You have.) What if there are several voices inside you, all waiting to be heard? (There are.) If you think about your own personality, you will recognise that even your conscious self is composed of different facets. W

carotid-bruit