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Titlebook: Creative Cognition and the Cultural Panorama of Twentieth-Century Spain; Candelas Gala Book 2015 Candelas Gala 2015 artifacts.Baruch de Sp

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https://doi.org/10.1057/9781137499868artifacts; Baruch de Spinoza; cognition; cognitive science; creative cognition; dialectic; Ludwig Wittgens
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Introduction, the psychological, interact in their work? How do they use body and mind, emotions and cognition, the objective and the subjective, to reconcile the self and the world, art and reality? What means do they use to convey their vision?
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,Creative Convulsion: José María Hinojosa and , at which point “nuestros cuerpos se cubrirán de llagas por donde alcanzará su libertad la sangre y el aire meterá sus dedos hasta tocar nuestras entrañas” [our bodies will be covered with wounds through which blood will achieve its freedom and the air will go inside until its fingers touch our entr
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,Creative Dialectics: José Moreno Villa and ,inta] are enjoying a picnic (. 96).. Like Eve offering Adam the apple from the tree of Good and Evil, Jacinta, the title protagonist of Moreno Villa’s book, . (1929), bites a piece of toast and offers the poet the nibbled part. Stretched out on the grass, Jacinta looks like a sea creature, a mermaid
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,Creative Measurements: Plastic-Dynamic Development in Maruja Mallo’s ,d art, subject and object, and imagination and geometry—become integrated in structures characterized by unstable balances, ongoing transformations, and the upturning of conventions. Not only is the title, ., a departure from the . [still lifes] genre (although the focus of this series is not on liv
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,Creative Beatitude: Jorge Guillén and Baruch Spinoza,philosophy: the . or self-conscious desire that, identified with virtue, is the effort to secure happiness and increase the potential for action (. III, VI–VII). . is synonymous with persevering in life and acting according to reason, and it involves acquiring what is required for knowledge (Deleuze
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