Titlebook: Creating ArtScience Collaboration; Bringing Value to Or Claudia Schnugg Book 2019 The Editor(s) (if applicable) and The Author(s), under ex

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https://doi.org/10.1007/978-3-540-76448-9ences of changed communication: communication in the sense of outreach or communication of contents from one group to another group of people has been a major argument for artscience collaboration for a long time. Already in the 1980s an inclusion of art in the communication of science and scientifi

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https://doi.org/10.1007/978-3-540-76448-9artist Sougwen Chung mentions in our interview about her experience with many different programs. She has been artist-in-residence for artscience projects in corporations, R&D facilities of corporations, scientific organizations, media art settings, and museums. Her experience not only reflects the

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https://doi.org/10.1007/978-3-540-76448-9 program that is well-embedded in an organization, and motivated individuals, there are still additional conditions to think of that can lead to misunderstanding or possible pitfalls. Second, the exchange has been argued as valuable because of the interdisciplinary exchange and process between artis

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Web Component Development with Zope 3t universities like the MIT Media Lab, SymbioticA at the University of Western Australia, or the Art|Sci Center at UCLA became role models for newly established centers and departments at universities. The Leonardo group is growing, and Leonardo events and talk series spread after the 50th anniversa

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