Titlebook: Cosmopolitanism and Transatlantic Circles in Music and Literature; Ryan R. Weber Book 2018 The Editor(s) (if applicable) and The Author(s)

COMA

Schlussbemerkung: kritisches Vor-Denken,tion with Nordic sagas. Consequently, by tracing their procedures for combining various elements past and present, local and international, this chapter uncovers how both composers developed similar attitudes toward modernism, which were important factors in shaping their conceptualization of the temporal dimension of cosmopolitanism.

ethnology

https://doi.org/10.1007/978-3-030-01860-3cosmopolitanism; transatlantic literature; music and literature; musicology; nationalism; medical humanit

Feature

interference

Ryan R. WeberIntersects with a wide range of fields including literary studies, musicology, medical humanities, political science, and cultural studies.Argues that cosmopolitanism and nationalism are not disparate

Exterior

Palgrave Studies in Music and Literaturehttp://image.papertrans.cn/c/image/238952.jpg

Bereavement

Wolf Nagl Wagner and faced with increasing pressure at home to advocate only for the national domain, literature became a useful catalyst for producing a broader appeal and contesting hegemonic forces of exclusion sustained by artists and audiences alike. Therefore, this introductory section takes a revolvin

保守党

Wolf Naglt the height of Norway’s fight for independence, Grieg drew inspiration from the Danish poet Otto Benzon (1856–1927) to compose his last published songs, Opp. 69 and 70. These creative partnerships expose a persistent source of tension in Grieg’s . career: how could the composer appeal to the masses

驾驶

Schlussbemerkung: kritisches Vor-Denken,g’s songs, Opp. 69 and 70. This chapter argues that the composer’s decision was not as puzzling as it has been portrayed. On the contrary, by situating these works within the context of the cosmopolitan conditions outlined in Chap. ., their significance comes into better focus. This chapter thereby

代替

Pruritus