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Titlebook: Cosmopolitanism and Transatlantic Circles in Music and Literature; Ryan R. Weber Book 2018 The Editor(s) (if applicable) and The Author(s)

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发表于 2025-3-21 16:41:55 | 显示全部楼层 |阅读模式
书目名称Cosmopolitanism and Transatlantic Circles in Music and Literature
编辑Ryan R. Weber
视频video
概述Intersects with a wide range of fields including literary studies, musicology, medical humanities, political science, and cultural studies.Argues that cosmopolitanism and nationalism are not disparate
丛书名称Palgrave Studies in Music and Literature
图书封面Titlebook: Cosmopolitanism and Transatlantic Circles in Music and Literature;  Ryan R. Weber Book 2018 The Editor(s) (if applicable) and The Author(s)
描述.Cosmopolitanism and Transatlantic Circles in Music and Literature. traces the transatlantic networks that were constructed between a select group of composers, including Edvard Grieg, Edward MacDowell, and Percy Grainger, and the writers with whom they shared cosmopolitan affinities, including Arne Garborg, Hamlin Garland, Madison Grant, and Lathrop Stoddard.  Each overlapping case study surveys the diachronic transmission of cosmopolitanism as well as the synchronic practices that animated these modernist ideas.  Instead of taking a strictly chronological approach to organization, each chapter offers an examination of the different layers of identity that expanded and contracted in relation to a mutual interest in Nordic culture.  From the burgeoning “universal” ambitions around 1900 to the darker racialized discourse of the 1920s, this study offers a critical analysis of both the idea and practice of cosmopolitanism in order to expose its common foundations as well as the limits of its application..
出版日期Book 2018
关键词cosmopolitanism; transatlantic literature; music and literature; musicology; nationalism; medical humanit
版次1
doihttps://doi.org/10.1007/978-3-030-01860-3
isbn_softcover978-3-030-13200-2
isbn_ebook978-3-030-01860-3Series ISSN 2946-5133 Series E-ISSN 2946-5141
issn_series 2946-5133
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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发表于 2025-3-21 22:16:55 | 显示全部楼层
发表于 2025-3-22 00:37:33 | 显示全部楼层
Book 2018e burgeoning “universal” ambitions around 1900 to the darker racialized discourse of the 1920s, this study offers a critical analysis of both the idea and practice of cosmopolitanism in order to expose its common foundations as well as the limits of its application..
发表于 2025-3-22 05:21:04 | 显示全部楼层
Einleitung: Professionalisierung,r argues for the significance of negotiation over nostalgia, stylistic mixture over division, and disciplinary fusion over separation—all of which flourished within the transatlantic circles of cosmopolitanism.
发表于 2025-3-22 10:20:02 | 显示全部楼层
2946-5133 920s, this study offers a critical analysis of both the idea and practice of cosmopolitanism in order to expose its common foundations as well as the limits of its application..978-3-030-13200-2978-3-030-01860-3Series ISSN 2946-5133 Series E-ISSN 2946-5141
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Schlussbemerkung: kritisches Vor-Denken, also demonstrates how techniques such as chromatic juxtapositioning and tetrachordal transformation, which were developed as musical analogues for literary practices, became common strategies for cosmopolitanizing national sources in his late songs and last choral works, ., Op. 74.
发表于 2025-3-22 22:41:25 | 显示全部楼层
Introduction: Traversing Time, Place, and Space,foundation for understanding how Nordic themes became a common nexus for shaping a transatlantic dialogue between artists who viewed the interaction of nationalism and cosmopolitanism not merely as a problem to be solved but also as a creative tension to be exploited.
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