Titlebook: Controls and Art; Inquiries at the Int Amy LaViers,Magnus Egerstedt Book 2014 Springer International Publishing Switzerland 2014 Control Ap

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Generating Music from Flocking Dynamics,oping software that links the dynamics of a standard flocking algorithm to a set of sound wave generators and to a musical score, we study how each approach reflects sonically the transition to collective order and which produces musically interesting results. First, we consider three qualitatively

顽固

Algorithms for Visual Tracking of Visitors Under Variable-Lighting Conditions for a Responsive Audim combines statistical background image estimation, per-pixel Bayesian classification, and an approximate solution to the multi-target tracking problem using a bank of Kalman filters and Gale-Shapley matching. A heuristic confidence model enables selective filtering of tracks based on dynamic data.

expeditious

Style-Based Robotic Motion in Contemporary Dance Performance,articular, the movement model stems from the view that cannons of basic warm-up exercises in formalized movement genres, such as classical ballet, seed more complex phrases. This model employs a separation of basic movement ordering and execution. Basic movements are sequenced, and their individual

Instinctive

discord

Asparagus

ANTH

978-3-319-35217-6Springer International Publishing Switzerland 2014

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Internationale Rechnungslegungsvorschriftenly subjective, human preferences as opposed to . given objectives. Starting from a collection of empirical, pairwise comparisons, we approach this issue by developing objective functions that are compatible with the expressed preferences. In addition, robust estimators for global optimizers to these

ineptitude

反抗者

Begründung der Modellrisiko-Hypothesert of the paper adopts the terminology of motion description languages and deconstructs an elementary form of the well-known popular dance, salsa, in terms of four motion primitives (dance steps). These motion primitives can be specified entirely by the motions of the dancer’s feet, and hence the mo