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Titlebook: Contemporary Publics; Shifting Boundaries P. David Marshall,Glenn D‘Cruz,Katja Lee Book 2016 The Editor(s) (if applicable) and The Author(

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发表于 2025-3-30 10:14:56 | 显示全部楼层
A Hungry Public: Stranger Relationality and the Blak Wavet address a public hungry to know more about Aboriginal Australia. It identifies modes of resilience in public performances of Aboriginal personhood, and it analyses templates of stranger relationality in . (Thornton, The politics of public things: Neoliberalism and the routine of privatization. . 1
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Re-membering, (Re-) appropriation, and Polyphony: SBS Independent and White Australian Memoryxtrapolates three broad strategies that characterise the SBSi countermemorial genre—re-membering, (re-) appropriation, and polyphony—and demonstrates how these were mobilised to innovate formal and narrative conventions, creating new possibilities for cross-cultural debate and dialogue.
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Ghosting: Putting the Volume into Screen Memory culture and a work like ., which, in mimicking screen projections in an analogue mode, suggests an archaeology of the screen image, one that haunts the screen with a memory of something deeper and hidden, a lost body that possesses volume..A discussion of the uneasy relationship between the Freudia
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New Strategies for Old Practicespply strategies of profanation and ., I argue for an art that operates as counter-practice, integrated with life but testing new practices and ways of being. It is in this spirit I appropriate space, form, and image to practise alternative lines of exchange; it is a practice that invokes a slow infu
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Cosmopolitanism on Demand? Television and the Narrowing of Mediated Social Connectionfrom classical cosmopolitanism insofar as there is the capacity to “know” others beyond immediate community and national boundaries. However, on-demand television has the potential to limit engagement and global awareness through the promotion of individually tailored patterns of consumption. On-dem
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Multilingual Publics: Fansubbing Global TVssibility of cultural products in global or transnational contexts, this paper identifies online fansubbing as an area of particular interest..Fansubbing is a growing DIY phenomenon where avid fans of foreign-language media produce their own amateur subtitles. Usually, they contravene copyright laws
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