Titlebook: Contemporary Publics; Shifting Boundaries P. David Marshall,Glenn D‘Cruz,Katja Lee Book 2016 The Editor(s) (if applicable) and The Author(

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Root Disk Spiegelung und Der Boot-Prozessin public that contest neoliberal practices and policies. These chapters highlight how communities can not only articulate sites of diversity and/or resistance, but change how and where public debates are structured. This section begins with a consideration of how publicly-funded Australian Indigeno

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Vor- und Nachteile Der Raid-Levell institution, SBSi was responsible for the administration of productive diversity, a federal policy harnessing cultural and linguistic diversity as a national economic resource. It argues that while the form and function of SBSi was broadly complicit with this state neoliberal agenda, staff success

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Zustandsorientiertes Programmieren, central railway station and the central bus station, it is also intended to fulfill an important symbolic function. This chapter discusses some of the mechanisms being used to deliver the symbolic program. In 2014, the author was commissioned to develop a “creative template” for the site, a compila

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https://doi.org/10.1007/3-540-34778-Xerence to the new civic space in Dandenong. More specifically, it documents and responds to the dispute between the local Indian community and the City of Dandenong (who intend to demolish the “little India” shops to facilitate the new public space). Drawing on various theories about the relationshi

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https://doi.org/10.1007/3-540-34778-Xrts its exhibition. From the free labour of interns and artists to the 50 percent commission cut taken by gallery owners, contemporary art practice is trapped in a paradox in which it is free to critique its own histories and those outside the gallery but rarely analyses its own politics of producti

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Objektorientiertes Programmieren,d emerging publics construct identities and strategic goals. This section of . begins with an introduction where media technologies are utilised to facilitate progressive change. This facilitative role is examined in subsequent chapters, where publics can unite around discourse and technology that e

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Zustandsorientiertes Programmieren,hrough an awareness of screen translation processes and strategies—from dubbing and subtitling to fansubbing and live interpretation—new publics arise. Globally, such publics count, accounting for a major proportion of audiences worldwide. Hence, I argue that screen translation and experiences of tr