Titlebook: Contemporary Irish Popular Culture; Transnationalism, Re Anthony P. McIntyre Book 2022 The Editor(s) (if applicable) and The Author(s), und

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https://doi.org/10.1007/978-981-13-0647-1iences outside of Ireland. The chapter argues that the two cities/comedies help to undermine monolithic conceptions of the nation, indexing societal and economic shifts within the island of Ireland in the twenty-first century.

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,Introduction—“Fractured Movement”: Transnationalism, Regionality, and Diaspora in Contemporary Irisof the Irish state in the twenty-first century; new modalities of belonging strongly imbricated with developments in communications technology are central to constructions of the contemporary Irish diaspora and are reflected in popular culture.

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,Star Leverage, Local Matters, and Transnational Media: Chris O’Dowd, , and ,section of the chapter considers ., an animated pre-school programme, which O’Dowd narrates, highlighting the centrality of transnational funding and distribution mechanisms in the animation sector in Ireland (North and South).

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Transnationalism, Masculinity, and Diasporic Performativity in Irish Sport: Conor McGregor and Jamein the Brexit vote. McGregor and McClean in different ways demonstrate the ability of sporting figures to court controversy and focalise complex questions of national belonging, ethnic and racial identity claims and contemporary ideals of masculinity.

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