Titlebook: Contemporary Irish Popular Culture; Transnationalism, Re Anthony P. McIntyre Book 2022 The Editor(s) (if applicable) and The Author(s), und

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https://doi.org/10.1007/978-981-13-0387-6 shifts in the funding and production of Irish-related screen content. The chapter analyses cinema features, televisual dramas and sitcoms, children’s animation and social media all featuring O’Dowd. After a consideration of O’Dowd’s rise to international fame and the inflections of Irishness eviden

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https://doi.org/10.1007/978-981-13-0647-1gins—demonstrating contemporary shifts in attitudes toward gender, migration and definitions of Irishness. Drawing upon emergent Irish production studies scholarship, the chapter traces an ambivalence with regards to women’s positioning in the creative industries. All three incorporate politically-t

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Vignettes of Chinese University EAP Learnerster traces this figure across social media memes, a remarkably popular sitcom, a reality adventure series, and a celebrated comedy-drama feature. The chapter argues the Irish mammy can do important cultural work in highlighting ambivalent nostalgic attachments that the contemporary “crisis of care,”

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https://doi.org/10.1007/978-3-030-94255-7Irish popular culture; Irishness in film; Irishness in television; Irish studies; Chris O‘Dowd; Derry Gir

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978-3-030-94257-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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