Titlebook: Contemporary Irish Fiction; Themes, Tropes, Theo Liam Harte (Senior Lecturer in Irish Studies),Mich Book 2000 Palgrave Macmillan, a divisio

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High-Density Planning and Challenges,it is clear that these observations are part of his construction of a special kind of literary persona, that of a ‘man of letters’ who discriminates strongly between competing definitions of ‘great’ art, a writer who uses interviews and reviews to proclaim the gospel of an art without attitude.

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High-Density Planning and Challenges,ce to his or her subject? Does the critic do justice or violence to the writer? In what follows, I want to suggest some possible answers to the first question by considering the ethical concerns and narrative anxieties generated by the visualization of political violence in Bernard Mac Laverty’s . (

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https://doi.org/10.1007/978-981-10-5451-8mands which, in the final analysis, have a class character’.. For this reason, then, literature takes its place as part of the superstructural relations of production just as, concomitantly, it functions in the context of these relations. Indeed, to take the argument one step further, while it can b

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Book 2000challenging work by both new and established writers. Contemporary Irish Fiction provides an invaluable introduction to this exciting but largely uncharted area of literary criticism by bringing together twelve accessible, stimulating essays by critics from Ireland, Britain and North America.

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