Titlebook: Contemporary Irish Fiction; Themes, Tropes, Theo Liam Harte (Senior Lecturer in Irish Studies),Mich Book 2000 Palgrave Macmillan, a divisio

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Bourgeois Redemptions: the Fictions of Glenn Patterson and Robert McLiam Wilson, or embodiment. While this intervention is perhaps best seen as a series of primary speculations, Trotsky’s model nevertheless remains useful in that it allows form to be envisaged as occupying an intersection of three interrelated elements: the ideological stimuli resulting from a new or developing

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Reconfiguring Identities: Recent Northern Irish Fiction,ives on the sectarian violence and religious bigotry which had plagued the province for a quarter of a century.. The readiness of writers to anticipate and respond to the possibilities of peace was exemplified by Seamus Heaney’s play . (1990), the final Chorus of which envisioned a ‘great sea-change

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and often challenging work by both new and established writers. Contemporary Irish Fiction provides an invaluable introduction to this exciting but largely uncharted area of literary criticism by bringing together twelve accessible, stimulating essays by critics from Ireland, Britain and North America.978-0-333-68381-1978-0-230-28799-0

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978-0-333-68381-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2000

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High-Density Planning and Challenges,ative act as an imitation or translation of earlier creative acts, a recasting of existing narratives, motifs and discourses into ‘new’ configurations. Intertextuality plays a particularly significant role within contemporary Irish writing, much of which reflects the struggle by both individuals and

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High-Density Planning and Challenges,ems clear that Martin had not just a specific place but also a specific time in mind when he made his claim — the early twentieth-century town made famous in the work of James Joyce. It is true that the great writer ’s work has certainly come to represent one dominant image of the city, both within

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