Titlebook: Contemporary Irish Dramatists; Michael Etherton Textbook 1989Latest edition Macmillan Publishers Limited 1989 20th century.drama.dramatist

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Stephen J. Beebe,Ravi Joshi,Shu Xiao performance) and Writing (the published play-text). The basis for this discussion has been.Much drama criticism is closet literary criticism. It is also unreflexively concerned with the written ‘text’. By‘unreflexive’ I mean that the way that the critic consolidates the . interpretation of drama —

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The Theatre in the West, contrast, new Irish theatre has found the process of defining what it is to be ‘Irish’ creative and stimulating: a challenge to colonial stereotyping. This does not imply that Irish playwrights are more chauvinistic, or that English playwrights are more self-critical.

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Pulse Delivery and Exposure Systems,as negated his white, male, middle-class upbringing. Furthermore, he has transformed this negation into a positive and accomplished art: expressed, especially, through the collaborative drama with Margaretta D’Arcy, and in his novel ..

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parked originally by plays such as Hugh Leonard‘s Da and Stewart Parker‘s Spokesong. In this new book, Michael Etherton looks at the work of the most influential modern Irish dramatists to show how their work contributes to a radically different view of what constitutes ‘Irish‘ and ‘drama‘.

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Thermal Effects in Bioelectrics, — Thomas Kilroy, Brian Friel and Frank McGuinness especially — as being of great significance for the development of Irish theatre. Productions of his plays get Arts Council subsidies, as well as extensive notices and reviews; and his work as a whole is attracting academic critical analysis.