Titlebook: Contemporary Irish Dramatists; Michael Etherton Textbook 1989Latest edition Macmillan Publishers Limited 1989 20th century.drama.dramatist

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书目名称Contemporary Irish Dramatists影响因子(影响力)




书目名称Contemporary Irish Dramatists影响因子(影响力)学科排名




书目名称Contemporary Irish Dramatists网络公开度




书目名称Contemporary Irish Dramatists网络公开度学科排名




书目名称Contemporary Irish Dramatists被引频次




书目名称Contemporary Irish Dramatists被引频次学科排名




书目名称Contemporary Irish Dramatists年度引用




书目名称Contemporary Irish Dramatists年度引用学科排名




书目名称Contemporary Irish Dramatists读者反馈




书目名称Contemporary Irish Dramatists读者反馈学科排名

隐藏

ALIBI

Conclusion, performance) and Writing (the published play-text). The basis for this discussion has been.Much drama criticism is closet literary criticism. It is also unreflexively concerned with the written ‘text’. By‘unreflexive’ I mean that the way that the critic consolidates the . interpretation of drama — by printed criticism of plays — is unacknowledged

Hippocampus

Textbook 1989Latest editionginally by plays such as Hugh Leonard‘s Da and Stewart Parker‘s Spokesong. In this new book, Michael Etherton looks at the work of the most influential modern Irish dramatists to show how their work contributes to a radically different view of what constitutes ‘Irish‘ and ‘drama‘.

割公牛膨胀

parked originally by plays such as Hugh Leonard‘s Da and Stewart Parker‘s Spokesong. In this new book, Michael Etherton looks at the work of the most influential modern Irish dramatists to show how their work contributes to a radically different view of what constitutes ‘Irish‘ and ‘drama‘.

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哑剧

Thermal Effects in Bioelectrics,living as a playwright, though even for an established writer like him it is difficult to continue to do so. His work is regarded by other playwrights — Thomas Kilroy, Brian Friel and Frank McGuinness especially — as being of great significance for the development of Irish theatre. Productions of hi

Custodian

CRAMP

Pulse Delivery and Exposure Systems,tion. She was educated in Dublin and worked in the Dublin theatre from the age of 15, and then, when she was 20, in the London theatre where she met John Arden. Arden is English, born in Yorkshire. He was, from the late 1950s, regarded as one of the leading English playwrights whose play, ., is esta