Titlebook: Contemporary Gothic Drama; Attraction, Consumma Kelly Jones,Benjamin Poore,Robert Dean Book 2018 The Editor(s) (if applicable) and The Auth

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ULF Pulsations in the Magnetosphere., .) and those it gave rise to (i.e. ., .). The material considered connects the Enfield Poltergeist with the theatricality of nineteenth-century séances and tropes of Gothic literature. This work also intercedes with concepts such as Freud’s ‘Double’, Winnicott’s ‘transitional object’, Goffman’s ‘frames’ and Schechner’s ‘dark play’.

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Ultrasonic Tissue Characterization production in Edinburgh catacombs, and Burn the Curtain’s ., a night-time performance in woodland, exploit the potential of space, proximity and obscurity; both adaptations thereby structure a relationship to Carter’s writing that is exciting, unsettling and potentially liberating.

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,Uprooting and Surviving — An Overview,t the employment of Gothic aesthetics in forms of theatrical performances can offer empowering and sometimes unsettling ways to liberate both adults and young people from conventional audience behaviours.

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Model Theory and Universal Algebra,nct from its original experience. The plethora of objects left at Cross Bones—ribbons with inscriptions, photographs, beads, flowers, tin cans, popular cultural artefacts—testify to the reincorporation of discarded/useless items into symbols of feminism and historical recovery.

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A. D. M. Walker,R. A. Greenwaldarticularly in the form of Noël Coward’s classic comedy . (1941). Therefore, the chapter argues, attempts by contemporary playwrights to write séance scenes and create spirit medium characters are haunted by the theatrical past, as much as by the past of their own narrative worlds.

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Little Monsters: Gothic Children and Contemporary Theatrical Performancet the employment of Gothic aesthetics in forms of theatrical performances can offer empowering and sometimes unsettling ways to liberate both adults and young people from conventional audience behaviours.

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