Titlebook: Contemporary Gothic Drama; Attraction, Consumma Kelly Jones,Benjamin Poore,Robert Dean Book 2018 The Editor(s) (if applicable) and The Auth

ACE313

书目名称Contemporary Gothic Drama影响因子(影响力)




书目名称Contemporary Gothic Drama影响因子(影响力)学科排名




书目名称Contemporary Gothic Drama网络公开度




书目名称Contemporary Gothic Drama网络公开度学科排名




书目名称Contemporary Gothic Drama被引频次




书目名称Contemporary Gothic Drama被引频次学科排名




书目名称Contemporary Gothic Drama年度引用




书目名称Contemporary Gothic Drama年度引用学科排名




书目名称Contemporary Gothic Drama读者反馈




书目名称Contemporary Gothic Drama读者反馈学科排名

ABOUT

Book 2018Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history. 

critic

Introduction,es and aesthetics of the Gothic as a tool, not simply to explore past horrors or exotic monsters that lie beyond our borders, but with which to playfully uncover our own unrelentingly abject relationship with the very soil that we walk upon.

Cardioplegia

防御

Death, Decay and Domesticity: The Corpse as Pivotal Stage Presence in Howard Barker’s gery, and details his specific, subversive engagement with them. It contextualises the analysis by drawing on Kristeva’s writing on the abject (1987), Botting’s writing on the Gothic (1996) and Lingis’ writing on eroticism, and the impact of sex and death on the perception of time (2000).

进取心

进取心

BROOK

Writing the Ghost—An Interview with Playwright Michael PunterIrving. At CAPA, his courses include .. In this interview with Benjamin Poore, Michael discusses his early influences, the relationship between theatre and ghosts, theatre for and about young people, and the challenges and paradoxes of staging the supernatural and the Gothic.

行为

2634-6214 e interdisciplinary appeal by covering theatre, adaptation, This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and l

STERN

Model Theory and Universal Algebra,this Ripper tourism. Its central concern is with the Ripper tours, which it considers as street theatre. The essay looks at the narrative and performance modes guides draw on to negotiate their highly contentious subject matter, and considers the tours’ complex relation to the Gothic.