Titlebook: Contemporary French Theatre and Performance; Clare Finburgh (Senior Lecturer in Modern Drama),C Book 2011 Palgrave Macmillan, a division o

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Performing Presence, Affirming Difference: Deleuze and the Minor Theatres of Georges Lavaudant and Celeuzian, as well as broadly philosophical, sympathies. As far back as 1977, Lavaudant had argued that the French theatre of his time was not ‘philosophical enough’ and supported Antoine Vitez’s desire to ‘begin the circulation of thought’ in and . theatre (Lavaudant in Champagne, 1984: 87). Equally

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goodwill

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Xavier le Roy: The Dissenting Choreography of One Frenchman Less independent and internationally orientated, and his attempt to experiment with alternative ways of working has, by implication, real aesthetic and political significance. This fact is critical because it determines the specific form of Le Roy’s . from the majority of French . practitioners like Mag

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