Titlebook: Contemporary Fiction and the Uses of Theory; The Novel from Struc Michael Greaney Book 2006 Palgrave Macmillan, a division of Macmillan Pub

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Feminism , Post-structuralism,husser on Marx, Derrida on Saussure — do after all look suspiciously like the latest chapter in the history of patriarchal thought, and the spectacle of a new generation of male philosophers wrestling with their intellectual fathers and grandfathers is hardly guaranteed to capture the imagination of

TEN

Criminal Signs: Murder in Theory,nda Cross, Kirby Farrell, Sarah Paretsky and Q. Patrick ‘alphabetized in with his copies of Barthes and Derrida and Lacan and Foucault’.. This image of detective thrillers interleaved with highbrow theoretical texts provides us not simply with a glimpse of the victim’s eclectic literary tastes, but

食物

The Novel in Hyperreality,rd remarks, almost in passing, that ‘art is dead’.. This casually apocalyptic comment refers in the first instance to the demise of ideals of inspired solo craftsmanship or lone genius in an age driven by the conveyor-belts of mass production. Cultural artefacts that once enjoyed the priceless cache

PURG

Conclusion: Fiction after Theory,f ago then does it still make sense to speculate about its future? Or should we now be talking about it in the past tense? Rabaté’s book takes a surprisingly upbeat line on the continuing relevance and vitality of theoretical debate,. but it is worth setting his optimism against the disenchanted por

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Book 2006This topical study examines the ‘novelizations‘ of radical literary theory in the work of A.S. Byatt, Angela Carter, Umberto Eco, John Fowles, Richard Powers and many other leading novelists. It offers a comprehensive analysis of the ‘post-theoretical novel‘, and traces an alternative history of the ‘theory revolution‘ in recent literary fiction.

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