Titlebook: Contemporary British Queer Performance; Stephen Greer Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 festiv

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Performance Interventionshttp://image.papertrans.cn/c/image/236387.jpg

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https://doi.org/10.1007/978-3-663-07480-9y-inflected critiques of identity, visibility and representation within the relatively short history of a self-identifying British gay theatrical practice. More specifically, this chapter’s focus on Gay Sweatshop Theatre Company — the UK’s first gay theatre company — seeks to consider how the concer

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Ludwig Acker,Hermann Josef Schmitz chapter turns to locate contemporary traces of those concerns within traditions of autobiography, documentary and history-making. In particular, this discussion examines the relationship between queer performance and the discourses of community and nation — and the relationship of growing, increasi

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Einleitung und Aufgabenstellung,ollection of essays on queer theatre since the mid 1980s — arts festivals present as the domain through which that relationship has been most publicly mediated. The following discussion, then, considers how the organisation and development of queer arts festivals — seen first in the 1990s and prolif

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