Titlebook: Contemporary British Literature and Urban Space; After Thatcher Kim Duff Book 2014 Palgrave Macmillan, a division of Macmillan Publishers L

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https://doi.org/10.1007/978-3-663-07455-7n a way that] rejects the temporal distance and (presumed) cultural proximity of heritage fiction and film that were so popular in the 1980s and 1990s’ (Morace 44), Ballard’s . (1975). engage directly with the dystopic dialectic of space and identity in a London tower block setting.

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ture and its depiction of the city after the time of Thatcher and mass privatization. This lively study is an important and engaging work for students and scholars alike.978-1-349-49183-4978-1-137-42935-3

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,Space, Production, and Identity: Monica Ali’s ,, Hanif Kureishi’s ,, and Powellite Englishness,ire Alexander argues, the spaces Ali portrays in . represent ‘contested and porous boundaries of both material and imagined spaces’ in a way that ‘recognizes the role of the agency and subjectivity of individuals and groups within those spaces’ (204).

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Hans-Ernst Schwiete,Friedrich Elliesthe crossroads of politics, culture, and shifts in capitalism, I turn to the dialectic linkages between space, identity, and capitalism (Smith, Harvey) in order to discuss textual representations of the struggles of class, race, and identity in Thatcher’s Britain. With the ‘spatial turn’ as my theor

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,Auswertung der Trübungskurven,linghurst’s representation of the figure of Thatcher as an object to be consumed provides a kind of foil to figures such as Tommy in ., who ends up cast aside by the exclusive consumerism of Thatcherism, or Chanu in ., who is eventually driven out of England by his own nostalgic constructions of Eng

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Introduction,the crossroads of politics, culture, and shifts in capitalism, I turn to the dialectic linkages between space, identity, and capitalism (Smith, Harvey) in order to discuss textual representations of the struggles of class, race, and identity in Thatcher’s Britain. With the ‘spatial turn’ as my theor

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