Titlebook: Contemporary British Artists of African Descent and the Unburdening of a Generation; Monique Kerman Book 2017 The Editor(s) (if applicable

感情

https://doi.org/10.1007/978-3-663-07384-0engths; these include her Kenyan heritage, art education in ceramics within the context of British studio pottery, and international exhibition history in both fine art and design contexts. She has repeatedly stretched the boundaries within which her work is classified and has, for example, particip

BYRE

Wilbelm Sturtzel,Hermann Schmidt-Stiebitzs span continents. Her abstract sculptures and installations draw on her biography, ancestral history, and experiences in her environment as well as universal concepts of place, memory, and human psychology. Her move in 1990 to New York City provided an opportunity to position her creative practice

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Wilbelm Sturtzel,Hermann Schmidt-Stiebitz cut paper since the mid-1990s. Evans challenges an academic hierarchy of media that separates fine art from craft. Her installations and vignettes investigate visual signs and signifiers of the human form, particularly the ways in which society standardizes representations of people, events, and ob

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https://doi.org/10.1007/978-3-663-07386-43D design with an emphasis on glass, Amidu is not bound by any medium, but draws upon various strategies to create work that interrogates historical narratives, personal memories, nostalgia, loss, belonging, and the connections between people. This chapter chronicles Amidu’s childhood, education, an

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,Schweißen mit dem CO2 —Sprühlichtbogen,s includes their place of birth, parents’ nationality, where they were raised, the conditions in which they moved (i.e. forced or by choice), education, and each artist’s unique relationship with his or her African ancestry and cultural heritage. Among the artists included are Zarina Bhimji, Steve M

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Entwicklungsstand der ummantelten Schrauben, the Black Arts Movement. It examines their experiences of marginalization in the light of this legacy and to what degree they have achieved parity with their white peers. It compares and contrasts the formal working methods, thematic concerns, and professional strategies of Magdalene Odundo, Veroni

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Monique KermanInvestigates the work and career trajectories of four artists under-represented in scholarship of contemporary British artists of African descent.Analyzes the ways in which activities associated with

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