Titlebook: Contemporary Art and Unforgetting in Colonial Landscapes; Islands of Empire Kate McMillan Book 2019 The Editor(s) (if applicable) and The A

公理

saphenous-vein

受伤

https://doi.org/10.1007/978-3-663-04995-1This chapter provides an overview of the island of Great Britain and the role that islands have played in the project of empire.

Anticlimax

https://doi.org/10.1007/978-3-663-04996-8This chapter explores Aotearoa, Australia and carceral islands of the South. With a focus on the Aboriginal prison island of Wadjemup/Rottnest Island, it considers this landscape as a microcosm of empire. The chapter concludes with consideration of the residue of an empire of islands in the present-day carceral islands of Nauru and Manus.

triptans

LEER

,Versuchseinrichtung und Meßverfahren,This chapter traces the history between art and memory across various fields including indigenous histories, Greek and Enlightenment theories and more recently the field of memory studies. It engages with practices and mechanisms of forgetting. It considers the way art performs memory work, with a consideration of artist Julie Gough.

诱导

https://doi.org/10.1007/978-3-663-04998-2This chapter explores the role of the cultural object as a memory trigger. Connecting various mnemonic traditions, it develops a Proustian approach to art, memory and forgetting through the work of Yhonnie Scarce.

Ballerina

Herbert Stein,Martin EidelsburgerThis chapter explores the connections between histories of the civil rights movement in Australia and Indigenous artists working in Australia that identify their practice as part of this lineage, rather than European histories in Australia. In this chapter, I explore the work of Karla Dickens and the strategies of resistance she employs.

Kidney-Failure

https://doi.org/10.1007/978-3-663-04999-9This chapter situates the practice of listening with the sound works of Megan Cope. It argues for a quiet, non-invasive strategy of listening to place. These ideas engage with urgent issues around the Anthropocene as well as feminist and de-colonial methods of working.

直觉好

Empire of Islands: Contemporary Art and Unforgetting in Colonial Landscapes,The ideas for this book have been unfolding for a number of years, but it began as a written text during research for my PhD in 2010.