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Titlebook: Contagion and the Shakespearean Stage; Darryl Chalk,Mary Floyd-Wilson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Disea

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,Erdöl und seine Verarbeitungsprodukte, actor and audience, complicating the audience’s affective response to what would otherwise be a conventional shaming scene in which a character in male disguise is exposed as an unwed, pregnant young woman.
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Bad Dancing and Contagious Embarrassment in actor and audience, complicating the audience’s affective response to what would otherwise be a conventional shaming scene in which a character in male disguise is exposed as an unwed, pregnant young woman.
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2634-6435 performance, dramatic plots, and theatre-going.In addition .This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory. In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how
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,Erdöl und seine Verarbeitungsprodukte,s how the crowd’s repulsive smells are mirrored in the material conditions of the playhouse’s smoky atmosphere. All the smells in the playhouse—dung, sweat, perfume, smoke, and animal blood—contribute to an interpretation of the play’s classist understanding of olfactory contagion.
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https://doi.org/10.1007/978-3-662-24804-1s of homogenous national identity, Weissbourd ultimately argues that both . and . do not only represent class- and race-transgressive alliances as poisonous or infectious. Rather, by staging the female body as a site of contagion, both plays expose a deep-seated anxiety that all heterosexual relations pose the threat of contaminating mixture.
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,Erdöl und seine Verarbeitungsprodukte,d face is attributed to various moral and physical ailments, ranging from shame and alcoholism to syphilis and even plague. Drawing upon theories of disgust, histories of infectious illness, and plague literature, Balizet contends that Bardolph’s execution exemplifies a royal victory over contagion through the political application of disgust.
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“Search This Ulcer Soundly”: Sex as Contagion in , and s of homogenous national identity, Weissbourd ultimately argues that both . and . do not only represent class- and race-transgressive alliances as poisonous or infectious. Rather, by staging the female body as a site of contagion, both plays expose a deep-seated anxiety that all heterosexual relations pose the threat of contaminating mixture.
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“Amend Thy Face”: Contagion and Disgust in the d face is attributed to various moral and physical ailments, ranging from shame and alcoholism to syphilis and even plague. Drawing upon theories of disgust, histories of infectious illness, and plague literature, Balizet contends that Bardolph’s execution exemplifies a royal victory over contagion through the political application of disgust.
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