Titlebook: Contagion and the Shakespearean Stage; Darryl Chalk,Mary Floyd-Wilson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Disea

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https://doi.org/10.1007/978-3-662-24804-1re’s . and Middleton and Rowley’s .. Drawing on Judith Butler’s analysis of the relationships among kinship theory, the traffic in women, and fantasies of homogenous national identity, Weissbourd ultimately argues that both . and . do not only represent class- and race-transgressive alliances as poi

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,Erdöl und seine Verarbeitungsprodukte,of infectious disease most familiar to modern readers and highlights a premodern discourse of illness that presumes likeness or sympathy between infecting agent and infected body. Turning to this premodern discourse illuminates the language of contagion in ., a play that uses comparatively little la

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https://doi.org/10.1007/978-3-662-24805-8of the meme is applied to the 1607 Midlands uprisings, situating memes related to the distribution of food and associated political agency as a type of ideological contagion. The opening scene of . demonstrates how the plebeians’ more equitable food distribution meme is countered by memes of state c

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Helmut Börkircher,Peter J. Lehmeiernflates the character’s literary, cultural, and critical iconicity with the play’s own status as a primary agent of Shakespearean storytelling. The parallels between contagion and the spread of information in the play, he argues, mimic those inherent to the business of theatre itself, suggesting tha

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https://doi.org/10.1007/978-3-662-24808-9ally constitutive ideas in the plague-ridden environment of Renaissance England. Locating this pairing at the intersection of material and spiritual senses of causality, Estabillo finds that explanations of atheism often echo the language of contagion. The religious imagination of the period describ

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https://doi.org/10.1007/978-3-662-24809-6et. A phrase blending Joost van Loon’s concept of “epidemic space” and Jane Bennett’s thinking about human–nonhuman assemblages as sites of distributive agency, the epidemic assemblage denies a patient zero. As an assemblage of people, weather, politics, economy, infrastructure, etc., Verona thus de

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Darryl Chalk,Mary Floyd-WilsonFirst book to consider how the discourse and concept of contagion in the period can provide a lens for understanding early modern theatrical performance, dramatic plots, and theatre-going.In addition

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