Titlebook: Conservation of Contemporary Art; Bridging the Gap Bet Renée van de Vall,Vivian van Saaze Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) a

deforestation

Leisureliness

Languages of Conservation: A Comparison Between Internet-Based Art and Built Heritage built heritage to internet-based art to discover new conservation approaches. The pursuit of a common language for the conservation of built heritage and software-based art is another goal of this comparison.

Femish

No Longer Artworkion. Through this, I aim at offering ways of engaging with objects whose changing artwork properties have been, for different reasons, regarded as impaired by their hosting institutions. I focus on what I call a “complex object family” formed by different entities of artist Naum Gabo’s ., 1927–1937.

Gullible

Inveterate

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Collections of (An)archives: Towards a New Perspective on Institutional Collecting of Contemporary Aum practice the documentation is often secondary when compared to physical objects and undervalued within the hierarchy of museum priorities. This essay traces emergent institutional attempts to link, both conceptually and practically, museum collections and collection-related documentation. Its aim

CRACY

https://doi.org/10.1007/978-1-84628-422-9rformance artworks complicated the focus of conservation efforts on the preservation of a material object in various ways. As a result, practical conservation problems called for technical and theoretical research and reflection, while, in turn, technical and theoretical research and reflection made

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