Titlebook: Conservation of Contemporary Art; Bridging the Gap Bet Renée van de Vall,Vivian van Saaze Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) a

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Anesthesia and Robotic-Assisted Surgery,the managing of collections is under pressure because of new theories on the conservation of contemporary art, the conventional understanding of collection management might no longer hold. I speculate on how philosopher’s Tristan Garcia’s non-linear notion of time, in which the future does not exist

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Obesity, Metabolic Syndrome, and Stonesthe professional role of the conservator to focus on how practitioners see themselves in their profession when it comes to their values, beliefs, the functions performed and perceived relationships with colleagues. I also discuss how conservators think they are seen by others (colleagues or the anon

Chromatic

Obesity, Metabolic Syndrome, and Stones expertise, advocating an autoethnographic approach in relation to contemporary art conservation as a function of museum practice. This approach is exemplified by means of the author’s personal testimonies of encounters with artworks by John Baldessari and Ger van Elk. These accounts help to provide

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“Personality Disorder” in a 4-Year-Old ……to a radical shift of our western memory culture. The growing importance and discussion of artist estates in recent years is one of the results of this development. Based on my experience of working for the estate of German conceptual artist Anna Oppermann (1943–1992), I argue not only that artist e

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https://doi.org/10.1007/978-1-84882-258-0e and documentation of art, is generally overlooked. In complex hybrid artworks the role of the audience is key to understand how an artwork is conceived and received. While researchers and museums have started to address this gap, it remains to be seen how best to include both documentations about

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Conservation of Contemporary Art978-3-031-42357-4Series ISSN 2524-7425 Series E-ISSN 2524-7433