Titlebook: Conflict, Nationhood and Corporeality in Modern Literature; Bodies-at-War Petra Rau Book 2010 Palgrave Macmillan, a division of Macmillan P

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Selection and Screening Strategies,r of Englishness as part of a conscious effort to mould an . body of the nation. The second part will assess three different wartime ‘visions’ of England as green and pleasant land, taking examples from propaganda (a recruitment poster), literature (an anthology for soldiers in the trenches) and mus

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Biotechnology in Agriculture and Forestry into a particularly cumbersome social faux pas. Finding himself in a setting reminiscent more of French farce than English detection, Campion understandably refuses to take things seriously — which prompts the following affronted response from Lugg:

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,Introduction: Between Absence and Ubiquity — on the Meanings of the Body-at-War,resenting the vicissitudes of the body-at-war is striking. This collection of essays is, in many ways, a critical response to this discrepancy of corporeal representations in our modern war culture. In this introduction I want to briefly retrace and contextualize this politically expedient vanishing

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Incommensurate Histories: the Remaindered Irish Bodies of the Great War,–21), which was followed by a civil war (1922–23). The First World War, then, was the first in a chain of conflicts that propelled Ireland towards partial independence and partition.. Moreover, events during 1914–18 helped shape the nature and durability of this solution. The oppositional nationalis