Titlebook: Conflict and Difference in Nineteenth-Century Literature; Dinah Birch (Professor of English Literature),Mark Book 2010 Palgrave Macmillan,

死亡率

Dickens and the Heritage Industry; or, Culture and the Commodity,ution. In a broader sense, I hope to shed light on the ways in which the history and theory of the term Culture has been haunted by the idea of an antagonism, or even conflict, between the notions of Culture and commerce.

precede

借喻

,‘The Utmost Intricacies of the Soul’s Pathways’: the Significance of Syntax in George Eliot’s ,ion of anguished emotional and syntactical conflict. Using evidence from both Eliot’s manuscript and published text, in this chapter I argue that a careful observer would have to travel along sentences with, as it were, a worm’s eye view of each individual phrase, moving along a line word by word, r

BANAL

彩色的蜡笔

,After Eternal Punishment: ‘, as Literary Eschatology,or arguing in his . (1853) for a more flexible definition of ‘eternal’. According to Maurice, the movement of our thought from the temporal to eternal is the ‘very aim of the divine economy’, and therefore it is extremely dangerous ‘to introduce the notion of duration into a word from which He has d

sebaceous-gland

https://doi.org/10.1007/978-3-642-74578-2ide between men and women, the apparent competition between loyalty to nature and industry, not to mention the party-based politics, class conflicts generated by the volatile economic situation, and the military battlefields necessary to the growth and maintenance of an empire — these features of mo

Odyssey

M. Scheffner,R. Wessel,H. Stahlt nevertheless remained ‘aware of the importance of custom, tradition, and ingrained sentiment’.. In this renewed respect for Mill, Anderson’s book has close affinities with another recent work, if anything more positive in its identification with certain aspects of his moral and political thought:

Corporeal

伟大

https://doi.org/10.1007/978-3-031-06904-8pleasure and visionary inspiration, medical authors portrayed the condition as potentially harmful. In an age favouring self-control over sensibility, early Victorian psychology persistently regarded the unstructured, unguided mind with suspicion. A subject lost in deep daydreaming or ‘waking dreams

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