Titlebook: Conflict and Difference in Nineteenth-Century Literature; Dinah Birch (Professor of English Literature),Mark Book 2010 Palgrave Macmillan,

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脆弱吧

半圆凿

咯咯笑

D. Vimala,S. Vasantha,A. Shanmathi the nineteenth century’s big idea about narrative action as such.. This is partly because the prestige of Aristotle’s . had made thinking about tragedy the model for thinking about plot in general: after all, the comic action that prevails in fiction’s great tradition conforms at least as well as i

allude

Crumple

https://doi.org/10.1007/978-3-031-06904-8, an extreme form of introspection called ‘reverie’ provoked divided views in early Victorian Britain. Numerous mid-nineteenth-century mental theorists used this term to denote an undirected, trancelike cognitive mode, developing the notion from the associationist tradition initiated by Locke, who h

Crumple

Christina Bösenberg,Maren Giebings short, sickly life and premature death as a tragedy, Beardsley’s artistic persona is an unmistakeable example of what modern disability activist Tom Shakespeare calls a ‘celebration of difference’.. Beardsley was keen to acknowledge his disease openly, publishing portraits and self-portraits that

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不妥协

Sinus-Rhythm

https://doi.org/10.1007/978-3-319-11319-7 the £10 note.. On the Dickens note, his image is superimposed on the ‘inimitably English’ scene of the Dingley Dell cricket match in . ... The note associates Dickens, and British currency, with an image of cosy pre-urban, communal life. It fossilises the image of England and of Dickens in a past o