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Titlebook: Computers and Creativity; Jon McCormack,Mark d’Inverno Book 2012 Springer-Verlag Berlin Heidelberg 2012 aesthetics.art.artificial intellig

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https://doi.org/10.1007/978-981-19-9143-1e, David Brown, Jon McCormack, Paul Brown and Philip Galanter. It began at the Dagstuhl seminar on computers and creativity, held in Germany in 2009 and continued over a period of several months via email. The participants discuss their views on the prospects for computational evaluation of both the
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https://doi.org/10.1007/978-1-349-04606-5cess. This can engender two distinct benefits: . our practice through new capabilities or trajectories, and . our existing behaviour, thereby disrupting habits or tropes that are acquired over time. We examine these human-computer partnerships from a number of perspectives, providing a series of tax
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