Titlebook: Computational Music Analysis; David Meredith Book 2016 Springer International Publishing Switzerland 2016 Algorithmic Composition.Algorith

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书目名称Computational Music Analysis影响因子(影响力)




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书目名称Computational Music Analysis网络公开度




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书目名称Computational Music Analysis被引频次学科排名




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书目名称Computational Music Analysis读者反馈学科排名

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The Harmonic Musical Surface and Two Novel Chord Representation Schemes is crucial for building effective computational models for music analysis. This chapter, initially, addresses musicological, perceptual and computational aspects of the harmonic musical surface. Then, two novel general chord representations are presented: the first, the General Chord Type (GCT) rep

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Topological Structures in Computer-Aided Music Analysissents a set of chords. The dimension of the elements of the complex and their neighbourhood relationships highlight the size of the chords and their intersections. Following a well-established tradition in set-theoretical and neo-Riemannian music analysis, we present the family of T/I complexes whic

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Contextual Set-Class Analysisa systematic approach to segmentation, description and representation in the analysis of the musical surface. The introduction of a set-class description domain provides a systematic, mid-level, and standard analytical lexicon, which allows for the description of any notated music based on a fixed t

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Computational Analysis of Musical Form contrast, and variation: repetition brings unity, and variation brings interest. Learning how to hear, to analyse, to play, or even to write music in various forms is part of music education. In this chapter, we briefly review some theories of musical form, and discuss the challenges of computation

URN

Chord- and Note-Based Approaches to Voice Separationecture of the learning model. Most existing approaches make decisions in note-to-note steps (N2N) and use heuristics to resolve conflicts arising in the process. We present here a new approach of processing in chord-to-chord steps (C2C), where a solution for a complete chord is calculated. The C2C a

URN

Analysing Symbolic Music with Probabilistic Grammarsm of grammars) over a corpus of music. These can produce idiomatic sentences from a probabilistic model of the musical language and thus offer explanations of the musical structures they model. This chapter surveys historical and current work in musical analysis using grammars, based on computationa

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Interactive Melodic Analysisfied as a harmonic tone when it belongs to the underlying chord, and as a non-harmonic tone otherwise, with a number of categories in this latter case. Automatic systems for fully solving this task without errors are still far from being available, so it must be assumed that, in a practical scenario

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Implementing Methods for Analysing Music Based on Lerdahl and Jackendoff’s ,ry to be one of the most relevant music theories with regard to formalization because it captures aspects of musical phenomena based on the Gestalts perceived in music and presents these aspects with relatively rigid rules. However, the theory has several problems in terms of computer implementation

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An Algebraic Approach to Time-Span Reductionize a target application and generate music. We formalize the concept of time-span tree introduced by Lerdahl and Jackendoff (1983) in their Generative Theory of Tonal Music (GTTM) and define the distance between time-span trees, on the hypothesis that this might coincide with the psychological rese