Titlebook: Comparative Modernism and Poetics of Time; Bergson, Tanpinar, B Özen Nergis Dolcerocca Book 2023 The Editor(s) (if applicable) and The Auth

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2634-6095 porality, it discusses networks of cultural circulations and maps a revised intersection of Turkish and Western European literary histories. It is an essential read for scholars and students of comparative and world literature, modernist studies, and cultural history. 978-3-031-35203-4978-3-031-35201-0Series ISSN 2634-6095 Series E-ISSN 2634-6109

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Introduction: Transnational Modernism, Comparative Methodologies, and Theories of Time on the World in cultural periodicity and in political modernities. The chapter also provides an overview of the question of time in modernist literature and modernist studies. It finally introduces the questions of Eurochronology and periodization as they relate to the current debates in world literature.

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Chronostasis: Critique of Managed Existence in shifts critical emphasis from traditionalism to his aesthetic explorations, turning from “social” questions of identity, authenticity and cultural theory to representational issues in his writing: novelistic imagery, narrative time, thematic features and stylistic preferences. By foregrounding its m

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The Clockwork Language: Temporal and Linguistic Modernity in Robert Walser’s position and leaves the Tobler household, ruined by debts. The chapter demonstrates the affinities between Walser’s understanding of time and the other modernists discussed in this book. It discusses Walser’s exploration of the mechanization and rationalization of temporal experience in relation to

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2634-6095 y introducing the concept of anti-chronometry.Discusses modeThis book explores the conceptualization of time in early twentieth-century literature and thought, based on a transnational and translational model of literary history, focusing on Turkish, French and German literary traditions. Each from

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Book 2023f literary history, focusing on Turkish, French and German literary traditions. Each from different cultural backgrounds, these modernists provide a radical critique of modern time regimes, which calibrate time in singular temporal narratives. The book traces the philosophical strand of this critica

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Detoxification

Ahmet Hamdi Tanpınar’s Istanbuland the past, using Benjamin‘s account of nineteenth-century Paris as a starting point. Overall, the chapter offers a valuable contribution to the understanding of Tanpınar‘s work and its place within the broader discourse on modernism and world literature.