Titlebook: Comparative Cinema; Late and Last Things Paul Coates Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to

SCOWL

书目名称Comparative Cinema影响因子(影响力)




书目名称Comparative Cinema影响因子(影响力)学科排名




书目名称Comparative Cinema网络公开度




书目名称Comparative Cinema网络公开度学科排名




书目名称Comparative Cinema被引频次




书目名称Comparative Cinema被引频次学科排名




书目名称Comparative Cinema年度引用




书目名称Comparative Cinema年度引用学科排名




书目名称Comparative Cinema读者反馈




书目名称Comparative Cinema读者反馈学科排名

阐释

法律

Classics and Modernity,. from which its actress protagonist turns away in the film’s founding event is in all probability that of Sophocles, and that despite Bergman criticism’s shelving of this issue such an ascription has important implications for the film’s reading. The discussion of Theo Angelopoulos’s . focuses on i

capsaicin

As One Cannot See,rge at multiple points. Particularly important is the question of whether or not there exist valid methods for seeing beyond or behind particular phenomena to disclose the workings of systems (and, if so, of what kind). A central issue is the status of metaphor in both works, the key ones being conn

公式

No End of Ruination,antic and modernist theories of the ruin and tracks the presence of the idea of ruination in a series of literary texts, including works by H.D., Beckett’s ., and Rachel Cusk’s work in general (. as both title and idea). It continues by tracking its presence in a series of films, including discussio

打算

Farocki, Theodor Fontane, Henry James, Krzysztof Kieślowski, Chang-dong Lee, Roman Polański, Thomas Pynchon, and Paul Schrader, while the key recurrent motifs are those of dusk, the horizon, the labyrinth, and the ruin.978-3-030-69046-5978-3-030-69044-1

打算

https://doi.org/10.1007/978-3-322-99558-2his section will analyse it in terms both of the effect of the extent of influences acknowledged by Schrader himself (see his interview in . Summer 2018 for mention of Bresson, ., and .), of others not acknowledged in that interview (Tarkovsky, .), and of the degree to which the film re-works ., whi

intricacy

雪白

Wahlen als Legitimationsverfahren, invisible or in the process of disappearing, in particular the sun at dusk. Sunlight, the sun itself, and fire are all key aspects of a text that also draws densely on literary texts about burning, such as those by Murakami Haruki and William Faulkner, not to mention Lee’s previous film, .. The imp

Mnemonics

In My End Is My Beginning,his section will analyse it in terms both of the effect of the extent of influences acknowledged by Schrader himself (see his interview in . Summer 2018 for mention of Bresson, ., and .), of others not acknowledged in that interview (Tarkovsky, .), and of the degree to which the film re-works ., whi