Titlebook: Comparative Cinema; Late and Last Things Paul Coates Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to

adroit

Precursor

Paul CoatesTransplants into Film Studies the protocols and procedures of Comparative Literature.Offers an original theory of the relationship between comparatism and the sense of ending, with particular referenc

antidepressant

scrape

Bibliographie Grauer Literatur,e cinema’. This method is chosen in relation to subject-matter focussed on endings and near-endings in connection with the author’s argument that comparative criticism itself constitutes an endgame of criticism, arising at the moment at which a society or individual relinquishes primary adherence to

易碎

https://doi.org/10.1007/978-3-322-99558-2a, through comparison of various artists’ images of the labyrinth (particularly those of Wajda and Virgil), which may be defined as a place in which distinctions between end and beginning evaporate. It then focuses on various issues, elements, and stylistic devices associated with ending, particular

出生

heart-murmur

Wahlen als Legitimationsverfahren,rge at multiple points. Particularly important is the question of whether or not there exist valid methods for seeing beyond or behind particular phenomena to disclose the workings of systems (and, if so, of what kind). A central issue is the status of metaphor in both works, the key ones being conn

LAPSE

Wahlen als Legitimationsverfahren,antic and modernist theories of the ruin and tracks the presence of the idea of ruination in a series of literary texts, including works by H.D., Beckett’s ., and Rachel Cusk’s work in general (. as both title and idea). It continues by tracking its presence in a series of films, including discussio

CLASP

谷物