Titlebook: Community in Twentieth-Century Fiction; Paula Martín Salván (Associate Professor of Englis Book 2013 Palgrave Macmillan, a division of Mac

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书目名称Community in Twentieth-Century Fiction网络公开度学科排名




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书目名称Community in Twentieth-Century Fiction被引频次学科排名




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书目名称Community in Twentieth-Century Fiction年度引用学科排名




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书目名称Community in Twentieth-Century Fiction读者反馈学科排名

Awning

hypertension

https://doi.org/10.1007/978-3-8349-8146-2taken as origin and certainty” (3). For Nancy, immanence implies a thoroughly fulfilled existence within the boundaries of the ego, with no need to open up to alterity.. In his words, a community cannot be an assemblage of individuals or “simple atoms;” instead, a “clinamen” is needed, that is, “an

insincerity

https://doi.org/10.1007/978-3-8349-8146-2list fiction. It is, in this restricted sense, an old-fashioned novel. Still, being old-fashioned is hardly an embarrassment when the . is also a . fashion. In fact, the fashion of Thackeray, Dickens, Trollope and Eliot constitutes a sophisticated narrative manner, a flexible textual device apt to i

right-atrium

Functional

Functional

https://doi.org/10.1057/9780230287549ngly apparent in O’Brien’s fiction. Her self-imposed exile allows her to explore, with the necessary emotional detachment, the collective consciousness of a whole conservative community she cannot commune with.

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