Titlebook: Communal Modernisms; Teaching Twentieth-C Emily M. Hinnov (Assistant Dean of Curriculum),Lau Book 2013 Palgrave Macmillan, a division of Ma

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Editing ,: Jessie Redmon Fauset, Little Magazines, and the Cultivation of the New Negrolly discussed in terms of WEB Du Bois’s politically oriented editorship. As the magazine of the nascent National Association for the Advancement of Colored People (NAACP), Du Bois saw . as providing a newly enfranchised, but still fragile, population with a public voice of their own. In this essay,

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“The Look in a Dog’s Eyes”: Animals in the Dining Room in Elizabeth Bowen’s in Elizabeth Bowen’s novel . (1929) (6). A foodie, Laurence captures the atmosphere of the final days of the Irish aristocracy (the so-called Protestant Ascendency) during the last years of the British occupation. Lacking the financial means to support himself or to go abroad, Laurence epitomizes th

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The Unwritten Narrative of Modernism and Djuna Barnes’s we sometimes see. The apparent fragmentation of modernist narratives, I suggest to my students, is a deconstruction, a “riddle”, that derives from the elision of portions of the story that we, as historically and culturally informed readers, are expected to be capable of reproducing for ourselves.

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“Things. Things. Things”: Nella Larsen’s , and the Beauty of Magazine Culturens that we can read Larsen’s main character, Helga Crane. Considering . in the context of these publications, specifically fashion magazines and publications produced by and for black readers in this period, affords us a unique opportunity to explore connections between mass visual culture and the Harlem Renaissance novel in the late 1920s.