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Titlebook: Comic Provocations; Exposing the Corpus Holly A. Crocker (Assistant Professor of English) Book 2006 Palgrave Macmillan, a division of Natu

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楼主: CANTO
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Rude Theory: The Rough Trade of the Fabliauxude or rogue-like, to say the least. After all, as Jacques Derrida puts it in one of his last published essays, “One begins acting like a [rogue] as soon as one begins uttering ‘profanities’.” . In abdicating “proper speech” for those erotically charged linguistic turns through which rudeness marks
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Creative Choices: Notes on Translating the Old French Fabliauxl, their love of wordplay, their refreshing political incorrectness. Over the years my philosophy of translating has evolved, and through endless revisions conscious choice has come to replace instinct, so that I can now formulate my goals as a translator and how and why I seek to accomplish them.
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Book 2006This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body‘s unsettling capacity.
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978-1-349-53210-0Palgrave Macmillan, a division of Nature America Inc. 2006
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2945-6916 ion and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body‘s unsettling capacity.978-1-349-53210-0978-0-230-60117-8Series ISSN 2945-6916 Series E-ISSN 2945-6924
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Benjamin Huybrechts,Alex Nichollsx are grouped together by a definition that is at once so expansive and so limited that it simply points to the hazy boundaries of . genre, at the very least.. Joseph Bédier’s classic formulation of fabliaux as . potentially acknowledges that all genres are tropological formulations, useful insofar
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