Titlebook: Comedy in Crises; Weaponising Humour i Chrisoula Lionis Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license

Antecedent

After Salzmann: Thoughts on Humour, Erasure, Photography and Palestine be remedied through artistic intervention. Zananiri’s work intervenes in these black-and-white images to question how humour can unsettle, reduce, or even negate the colonial baggage these images carry.

出汗

Making ‘Funny’ Art During the Greek Crisis … So What?f these works is considered to be irony and strategies of subversive affirmation and over-identification inspired by artists Santiago Sierra and Laibach. Shifting attention from what ‘funny’ work is about, to what it ‘does’ to audiences and within the local context, Chiavara’s work questions the cap

Maximizer

讨厌

Is Art a Means of Resistance in Times of Global Crisis?: Far-Right, Humour and Street Art in Today’sming powerful tools of visual critique in the public space. While many of these works have engendered reactions such as censorship or vandalisation, they have nevertheless contributed to highlighting and amplifying the disruptive potential of civic dissent expressed through public art and humour. An

Parabola

https://doi.org/10.1007/978-3-031-18961-6humour studies; comedy studies; art history; visual culture; contemporary art

DEAWL

浮雕

https://doi.org/10.1057/9780230500877ical and humanitarian crisis. Although this shift in art practice is evident across a broad spectrum of both geography and forms of ‘crisis’ (from military occupation in Palestine, to the struggle for indigenous sovereignty in Australia, and economic crisis and austerity in Greece), there remains a

Redundant

Pathogen

Cholesterol