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Titlebook: Comedy in Crises; Weaponising Humour i Chrisoula Lionis Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license

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书目名称Comedy in Crises
副标题Weaponising Humour i
编辑Chrisoula Lionis
视频video
概述Investigates why humour becomes pronounced in art practice in times of emergency.Highlights voices of art practitioners through artist statements and interviews with renowned artists.Reveals why artis
丛书名称Palgrave Studies in Comedy
图书封面Titlebook: Comedy in Crises; Weaponising Humour i Chrisoula Lionis Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license
描述.Comedy in Crises .provides a novel contribution to an emerging comedy studies field, offering a fresh approach and understanding toward both the motivation and reception of humour in diverse contemporary art contexts. Drawing together research by artists, theorists, curators, and historians from around the world (from Palestine, to Greece, Brazil, and Indigenous Australia), it provides new insight into how humour is weaponised in contemporary art – focusing on its role in negotiating complex cultural identities, the expectations of art markets, the impact of historical legacies, as well as its role in bolstering cultural resilience. In so doing, this book. .explores a vital, yet under-explored, aspect of contemporary art. Over the last decade, we have witnessed an overwhelming emphasis on experiences of precarity and emergency in contemporary art discourse, reflecting a popular view that the decade following the outbreak of the global financial crisis has been marked by an intersection of constant crises (refugee crisis, sovereign debt crisis, environmental disaster, COVID). .Comedy in Crises .offers innovative analysis of the relationship between this context and the growing use
出版日期Book 2023
关键词humour studies; comedy studies; art history; visual culture; contemporary art
版次1
doihttps://doi.org/10.1007/978-3-031-18961-6
isbn_softcover978-3-031-18963-0
isbn_ebook978-3-031-18961-6Series ISSN 2731-4332 Series E-ISSN 2731-4340
issn_series 2731-4332
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Transition to a Market Economy in Polands diminishing the possibilities for overcoming its legacy. By following the humorous exploits of Rosalind Brodsky—the protagonist in . and also Treister’s alter ego—this chapter contends that the work offers a model for an unsentimental engagement with the Holocaust that situates it . representation
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Transition to a Market Economy in Polandf these works is considered to be irony and strategies of subversive affirmation and over-identification inspired by artists Santiago Sierra and Laibach. Shifting attention from what ‘funny’ work is about, to what it ‘does’ to audiences and within the local context, Chiavara’s work questions the cap
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Jiaping Han韩家平,Didi Xu 许荻迪,Yuanyuan Guan 关媛媛shoot silhouettes of bodies while avoiding fleeing children (Gaudet), Altomonte investigates how these works encourage participants to contemplate the line between parody and reality, whilst operating as sobering critiques of the mass shooting epidemic in the United States.
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