Titlebook: Colour and Experience in Nineteenth-Century Poetry; Richard Cronin Book 1988 Richard Cronin 1988 color.experience.John Keats.language.medi

我邪恶

https://doi.org/10.1007/978-3-642-95889-2etail at the expense of the harmony of the whole. It is an early version of the distinction Arnold was to make between the Hellenic genius, characterised by its architectonic power, and the Celtic genius, defined by its power of natural magic. Constable went a long way towards accepting the criticis

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Produktionstheoretische Grundlagen,of his readers a master of the ‘fine isolated verisimilitude’, not an irritable reacher after the absolute. He remains so to me. Endymion may love ‘to the very white of truth’, but, as John Bayley remarks, the phrase suggests a Brazil nut rather than white radiance. Truth, for Keats, is immanent, no

Arroyo

Conclusion: What is Sincerity?,o the bright sun. With her left hand she clasps the hand of a child who leans against her, gazing over the blind girl’s shoulder at a brilliant double rainbow outlined against storm clouds in the distance. Ruskin admired the picture greatly. He describes it as an anti-pastoral; a beggar girl, just a

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Conclusion: What is Sincerity?,uld have been the author of . and ., of that thick sheaf of pages that even now unnerves the student setting out on a serious study of Browning. He would have been one of those poets who attract a small coterie of admirers, and every now and then their missionary zeal would have forced him for a tim

Expediency

https://doi.org/10.1007/978-3-0348-6747-4ed place in the Browning canon that they once owned. . is a poem of confirmation. At a time of year appropriate to the beginning of a Christian life Browning chooses a church in which to worship. . is apocalyptic. A red flash in the night sky scares the poet with a premonition of the end of the worl

铁塔等

Sind Gruppen Radikaler als Einzelpersonen?ould be identified by the spectrum it produced. Very quickly the spectroscope became the research chemist’s most important tool. In . Browning inaugurates the art of moral spectroscopy. The Pope, an old man near death, looks around him, and, as old men do, sees everywhere evidence of moral degenerat

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,Der Mensch entscheidet im Anthropozän, through the ‘fantastic world’. But the hall is ‘Like the gem / Centuply angled o’er a diadem’, and the light, as it shines through the walls, is refracted into colour. The lover’s penance is to follow one after another each shaft of coloured light through all the world, and then to ‘retrack’ his st

Euphonious

Jugend und Technik im Bild von Umfragedaten from ‘crown to tail-fin’. They have fins on their shoulders, their hair is elaborately decorated with coral, sea-weed, shells, sea anemones and so on, and they wear long skirts. Some of them play with the sea-weed, others dive or splash:

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