Titlebook: Collaborators in Literary America, 1870-1920; Susanna Ashton Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 America.

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Shaping Natural History and Settler Societynception of the story, the exposition of the characters, and in its literal composition.” Twain’s elliptical aside that the work “pretends to be” a joint production signals the dilemma which this book explores. Was Twain correcting himself, as if to say “This is, or rather, this has the pretense of

摘要记录

https://doi.org/10.1007/978-3-030-22639-8we reconcile the image of two writers supposedly writing in concert, wherein hardly a page doesn’t have the hand of both, with the often-conservative attacks in the novel itself on theories of community, democracy, and collective endeavors?

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Shaping Natural History and Settler Societyinary British Democracy was far from stable, but under the leadership of Lemuel Bagshaw, President of the Republic of Britain, the government had steadied the economy and redistributed a great deal of the property and wealth which had previously been in the hands of the enfeebled aristocracy. Althou

achlorhydria

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Shaping Online News Performancerkable instance of narrative structure assembled by its editor, Elizabeth Jordan. Featuring chapters by William Dean Howells, Mary Wilkins Freeman, Henry James, Elizabeth Stuart Phelps, Mary Stewart Cutting, John Kendrick Bangs, Henry Van Dyke, Alice Brown, Mary Heaton Vorse, Edith Wyatt, Mary Shipm

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What Shapes Online News Performance?lly an affair of his whole family. His sister Lucretia was his first recruit. They had already written . together in 1861 and she later used her collaborating skills to write . (1887) with her friend, the novelist Edwin Lassetter Brynner. Edward Everett Hale was also able to call upon the capable ha

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