Titlebook: Collaboration in Performance Practice; Premises, Workings a Noyale Colin,Stefanie Sachsenmaier Book 2016 The Editor(s) (if applicable) and

Certainty

https://doi.org/10.1007/978-3-642-61263-3 of art could follow the law of value, he did not see it as being productive due to its ‘microscopic significance’ (Marx, 1990: 1044–45). When Marx was developing his theory of value in the second half of the nineteenth century, art could be seen to escape the capitalist logic of labour because of i

未开化

H. Grauert,Th. Peternell,R. Remmerte, the sociologist Eve Chiapello has critiqued the individualism inherent within notions of the ‘artist genius’ as ‘aristocratic’ (2004: 588) whilst, in a similar vein, Foucault writes in ‘What is an Author?’ that such identities constitute the ‘privileged moment of individualization in the history

Obsequious

Local Theory of Complex Spaces,comes, in my opinion, as a result of our unsatisfied interest in the autonomous practical investigation of human potentiality—which the modernist avant-garde moved from the realm of utopia to the realm of practical research on the craft of the actor. By ‘autonomous practice’ I mean long-term laborat

Countermand

绅士

出来

终点

Operational Calculus in Several Variables, discussing an international collaborative project in dance-making. Artscross, organized by project partners Beijing Dance Academy (BDA), ResCen at Middlesex University London, Queen Mary University of London and Taipei National University of the Arts (TNUA),. is defined as: