Titlebook: Collaboration in Performance Practice; Premises, Workings a Noyale Colin,Stefanie Sachsenmaier Book 2016 The Editor(s) (if applicable) and

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Messy Bitsrepertory dance company, nurtured by Thatcherism that encouraged a culture of individualism and neo-liberal consumer empowerment. The company was expected to be innovative and at the forefront of contemporary ideas as long as innovation fed a market economy and maintained a hierarchical management s

harmony

Productive Misapprehensions: Artscross as a Cross-Cultural Collaborative Zone of Contestation of Con discussing an international collaborative project in dance-making. Artscross, organized by project partners Beijing Dance Academy (BDA), ResCen at Middlesex University London, Queen Mary University of London and Taipei National University of the Arts (TNUA),. is defined as:

deceive

Remarks on the Kobayashi metric, my intention—rather than complacently (re)state the obvious attractions of collaboration—became instead, and remains now, an opportunity to reflect critically and quizzically on the various practices of collaboration within and beyond the fields of cultural production and in theatre, dance, and performance in particular.

FLIP

正面

Contemporary Collaborations and Cautionary Tales my intention—rather than complacently (re)state the obvious attractions of collaboration—became instead, and remains now, an opportunity to reflect critically and quizzically on the various practices of collaboration within and beyond the fields of cultural production and in theatre, dance, and performance in particular.

optic-nerve

I Want to Work With You Because I Can Speak for Myself: The Potential of Postconsensual Collaboratioositions and the interweaving of their materials. These practices are certainly not new, but artistic collaborations in the twenty-first century face specific challenges and problems that I attempt to disclose in this article.

吹牛者

Fecundity

Collaboration as a Mode of Labourd knowledge-based industries. This shift, primarily rooted in the development of a post-Fordist capitalist society in the West, is the result of a transformation of labour away from manufacturing and towards an economy in which (non-material) services predominate.

OVERT

Book 2016blication examines cultural, philosophical and political issues tied to specific instances of collaborative practice in the performing arts. Leading scholars and practitioners review historical developments of collaborative practice and reveal what it means to work together in creative contexts at t

庄严

Submanifolds of High Dimension,tructure. Fulfilling the expectations to be experimental . marketable, Extemporary’s products were judged through a success/failure binary where I experienced a sense of shame for each product that failed the meet the demand.