Titlebook: Coleridge and the Daemonic Imagination; Gregory Leadbetter Book 2011 Palgrave Macmillan, a division of Nature America Inc. 2011 Coleridge.

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Electronic Retailing and Service Quality, The poem soaked up planned works on the “Wandering Jew,” the “Origin of Evil,” Swedenborgian “Reveries,” the “excursion of Thor,” the “Ode on St. Withold,” the “Hymns to the Sun, the Moon, and the Elements,” the “Adventures of C., the mutineer,” and the “Hymn to Dr Darwin—in the manner of the Orphi

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Service Research and Service Theory,metime between October 1797 and May 1799, Coleridge’s private attachment to the poem over many years, its part in the charming of Byron, and the mercurial Preface of 1816, tell a story of mysterious creation, secret incubation, and intimate revelation. Coleridge appears to have carried the poem arou

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John R. Bryson,Jon Sundbo,Peter Danielst “pretended” to be, it was always more than that. In . itself, Coleridge declared the poem fundamental to his project on the “shadows of imagination”: following “The Ancient Mariner,” “Christabel” was the poem “in which I should have more nearly realized my ideal, than I had done in my first attemp

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Book 2011Through politics, religion and his relationship with Wordsworth, the book builds to a new interpretation of the poems where Coleridge‘s daemonic imagination produces its myths: The Ancient Mariner, Kubla Khan and Christabel . Re-reading the origins of Romanticism, Leadbetter reveals a Coleridge at once more familiar and more strange..